THE PAULA GORDON SHOW |
Poet
Moments are the building blocks of time. Since
we are mostly oblivious to the individual perceptions that make up our
lives, says acclaimed poet Billy Collins, it’s the job of lyrical
poetry to bring us back to a sense of the momentary. He reminds us that
poetry’s oldest theme is “carpe diem” -- seize the day
-- stretching back thousands of years. He is not coy about the sense behind
this ancient imperative: We do not have an unlimited number of days.
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Conversation 1 Billy Collins creates an on-the-spot theory of puns as the origin of poetry. He describes poetry’s foundations and fashions. |
Conversation 2 Using the image created by a Billy Collins poem, the conversation turns to different kinds of pleasures found in poetry, including but far from restricted to the pleasure of finding “meaning.” Dr. Collins compares his own childhood piano lessons to how poetry is taught to school children, then describes “Poetry 180” for high schools plus academic approaches to poetry. He describes how he teaches students about haiku.. |
Conversation 3 Billy Collins reads his poem, “Drawing.” It is not difficult to write difficult poetry, he says, then describes how poems for him begin in clarity and end in mystery. He describes the character in his poems as a new and improved version of himself, then describes Emily Dickinson’s and Walt Whitman’s creations. Dr. Collins sums up “originality” in poetry and explains why he thinks of poetry as travel writing. |
Conversation 4 Poetry might strike you at any second so always have your equipment at hand, says Dr. Collins, who reads his “Lines Lost Among Trees.” He quotes Nabokov on good readers, then describes the reader he imagines when writing. The poet performs half the exchange, when the reader arrives the exchange is complete he says and expands. He recalls the demise of his childhood imaginary friend, with other stories from his youth. Poetry is meant to be vocalized in ways prose isn’t, Dr. Collins suggests, then explains poetry as an interruption of silence. He considers the elements of craft in poetry. |
Conversation 5 Recalling that his first book of poetry was published when he was 40, Dr. Collins traces his own path to finding his “voice.” He urges writers to take off poetry goggles and let other parts of themselves be part of their poems. He reads his poem, “Today,” then remembers what he was repressing when he was trying to be a “good poet.” He admires jazz and uses it as an analogy, with caveats. He suggests why he thinks poetry provides the highest degree of imaginative freedom of any written art, certain that it is poetry’s imaginative excitement that attracts him to it. |
Conversation 6 Dr. Collins describes what interests him about writing poetry, then asserts that it’s the hypothetical that makes us human. He amplifies on Wallace Stephens’ statement that “death is the mother of beauty” and on what Dr. Collins says is poetry’s oldest theme: “carpe diem” -- seize the day. |
Acknowledgement The many ways that poet Thomas Lux has graced our lives
with beautyinclude introducing us to Billy Collins. We are grateful. |
Related Links: Billy Collins’ six collections of poetry include the national best sellers Nine Horses and Sailing Alone Around the Room published by Random House. ... And here's a bit on the program co-hosts Paula Gordon and Bill Russell. |